Complete triptych:  (Im)possible no. 4 – Mourning


Canvas 1  – Friday (death)


Canvas 2 – Saturday (mourning)


Canvas 3 – Sunday (rebirth)


Size:   600mm x 600mm , 1200mm x 600mm , 600mm x 600mm

Medium:  Acrylic on Canvas



 Poured painting    Blood Picture

  Poured Painting  1963                   Blood Painting 1962


So Jesus said again, “I tell you the truth, unless you eat the flesh of the Son of Man and drink his blood, you cannot have eternal life within you.  But anyone who eats my flesh and drinks my blood has eternal life, and I will raise that person at the last day.  For my flesh is true food, and my blood is true drink.  Anyone who eats my flesh and drinks my blood remains in me, and I in him.  John 6 vs 53-56 (NLT)




Wine Crucifix  1957/78 Oil on canvas
1680 x 1030 mm frame: 1685 x 1035 x 40 mm


I was at the Tate Modern in London  two weeks ago, while on a short trip to England. The painting that really has inspired me from this visit is Wine-Crucifix by Arnulf Rainer. The curators of the Tate Modern have flanked a smaller painting on each side of this work creating a triptych from the three works that completes the scene at Golgotha. These two painting are works by Herman Nitsch.

As  Christians enter the 40 days of Lent, I will be focussed on the darkness  of the passion which reaches an intensity with Holy Saturday.

The Tate mentions the following details on the work:

Wine-Crucifix was originally painted as an altar-piece for the Student Chapel of the Catholic University in Graz, Austria. It hung loosely, without a frame, across a large window. Light shining through the cloth would reveal the shape of a cross beneath layers of paint. The title of the work evokes the transformation of wine into the blood of Christ. After the work was removed from its religious setting in the mid-1960s, the artist bought it back and in 1978 decided to rework it. ‘I realised that the quality and truth of the picture only grew as it became darker and darker’, Rainer has explained.